Real Estate News for North Pinellas County

Carl Cowden III is Tampa Bay’s premier painter of murals

Artist Carl Cowden III

Artist Carl Cowden III

In 1974, while still in high school, Carl Cowden III painted a 4 x 8 panel that was part of a temporary construction wall. That project, part of a contest for students, won him second place. Today, Cowden is Tampa Bay’s premier painter of murals.

He graduated from the University of Tampa in 1978 with a degree in fine arts and then got a job with the Community Design Center as a mural artist. The Community Design Center was a Tampa non-profit that developed building and restoration codes for historic neighborhoods. Between 1978 and 1980, he completed six large public murals.

During those early years, he was also known locally for his music.  His band, the Voodoo Idols, began performing in 1978 and continued until 1986.

Safety Harbor Fire Station mural

Safety Harbor Fire Station mural

While he doesn’t limit his work to murals, the murals may be what he is best known for, and he is proud of the contribution they make to the community.

“Public art adds to the quality of life and property,” Cowden said. “These are images that are enjoyed by generations for generations.”

Cowden’s murals can be found just about anywhere and everywhere in Tampa Bay, and all kinds of clients pay for his services. For example, after the Tampa Bay Lightning won the Stanley Cup in 2004, the team and the local Outdoor Arts Foundation decided to depict the victory on a 10-foot-by-28-foot oil tank at 39th Street and Adamo Drive. Cowden had to work 130 feet off the ground to get that project completed.

According to Cowden, the lifespan of any mural depend on a number of factors.

Oldsmar City Hall mural

Oldsmar City Hall mural

“Of ultimate importance is the condition of the wall before it is painted — the quality of the wall preparation as well as the paint and sealer used to complete the mural,” he said. “The wall must be sealed well, especially at the top. This keeps moisture from seeping behind the paint or substrate, which can destroy it from the inside out.”
 
A public mural’s value is largely determined by the community it serves as well as by the property owner, Cowden said, making the projects very site-specific. The process can be complicated somewhat by the fact that property owners may not live in the local community.

“When I begin a design, I like to speak to the local community and the individuals who will live with it,” he said. “In this way, it is more than just a pretty picture — it is something that has meaning and value to the community. When the people who live with a mural have no say in it, or it deteriorates, or the community loses its unity, its value is diminished and it is subject to vandalism and the owner’s needs.” Read the rest of this entry »

Tags: , , , ,